96 pages (A4 – 21 x 29,7 cm)
Full colour glossy paper, cover (135 gr.) inside (90gr.)
78 minutes Sampler CD
after an apocalyptic inferno, nothing more than desolate sands lie upon mankind, something that Erik Rutan fully demonstrates on Hate Eternal’s seventh album, delivering one of the strongest and most diverse albums of the band. While some bands reach their peak and never surpass it again, Hate Eternal continue to crawl in the vile waters of death metal, always pushing their own limits and barriers
shaping stagnant mentalities is what they have done for the past four decades
a new album out and another nail jabbed in the face of the crucified one
winning again the trophy of mesmerizing songwriting
violent Polish black metal the way we’ve gotten used to
Swedish black metal rooted in the influential ‘90s era
a thunderous mix of melody and touching compositions
think again if you thought icy black metal was dead
creating greatness in metal cover art since the late ‘80s
IN THE WOODS
like visiting an old friend after years spent apart
evoking a long lost spirit, the Americans turn Greeks
Pete “Commando” Sandoval strikes with ruthless brutality
one of the few three-piece bands that blast all the way
violent measures lead to violent sonic offensives
porn, gore, and sadism explored to new hideous peaks
old school death metal the way only Chile can breed
25 years of inside chaos and deformed killing
the fury of crossover thrash played over and over
the standard-bearers of the horned one for 40 years
DRAWN AND QUARTERED
spreading putridity and oppression over death metal
embracing dark doomy melodies with a deathly edge
a glimpse into the past through the eyes of “Zetro”
almost a decade later, the French return with wrath
prime selections that require immediate attention
an exquisite audio selection of bands on CD
30 years after, Dave Rotten keeps releasing via Xtreem Music
DIARY OF A METALHEAD
ramblings of a mind plagued by the devil’s music
the life of Bruce Dickinson & Dico’s sociological analysis
POPCORN NOT ALLOWED
movie selections from Cult’s unequivocally jocular psyche
SLICE & DICE
only the strongest will survive our scrutiny
MARDUK & KING DIAMOND
01. OUTRE ‘Combustion’
The power of the Polish scene is again manifested through this hellish quintet on their second album, a lesson about vicious, hateful black metal.
02. HINAYANA ‘Order Divine’
The perfect case where the strength of just one individual can make a difference. Melodic death/doom metal played with passion.
03. EXORCIZPHOBIA ‘About Us Without Us’
A band that knows how to exorcize their own phobias using only the viciousness of good old crossover thrash metal.
04. GNOSIS ‘Hand of the Fates’
Being inspired by the Greek scene of the early ‘90s turns the American Gnosis into a reference on how to combine occult eerie ambiances with pure black metal.
05. GRAVERED ‘Non Cristo’
South America is known for its passionate and vile bands, something that Gravered evoke from every old school death metal riffing pattern.
06. NIGHT CROWNED ‘Nocturnal Pulse’
Swedish black metal fury soaked in epic melodies and death metal textures, to make a vile and grandiose effect reminiscent of the ‘90s.
07. KAAR ‘Skleněnej Hrob’
Czech thrash metal infused with a compelling energy that obliterates mosh pits with an unholy sense of rightness.
08. NIGHT GAUNT ‘Penance’
Opulent doom-driven melodies that evoke the heavy burden feeling of epic oppression layered with a palpable yet suffocating weight of loss.
09. AD PATRES ‘Symbiosick’
Brutality and technique involved in a death metal framework that relies on both new and old brutal injunctions.
10. KROMORTH ‘Geodesic Beast’
After 20 years of waiting, the Brazilian quartet finally spits out one of the most violent and relentless death metal records of late. Beware!
11. CARNIVORACY ‘Tu Nos llamaste’
Summoning a three-headed gnarly demon while still retaining all intellectual faculties seems like a walk in the park for the Spanish grinders.
12. MURDER INC. ‘Umlčen Navěky’
Digging graves might be something that the Czech thrash metal quartet does for fun, yet on their debut album they seem quite alive.
13. INFESTUS ‘Nights’
Intricate melodies and structures mixed with the bleakness of black metal. Infestus is far from sounding like a one-man band!
14. WEIGHT OF EMPTINESS ‘Unbreakable’
With a palette of styles that range from death to prog metal, the Chilean quintet releases a debut that easily impresses.
15. DEFECAL OF GERBE ‘Camembert Nécrophile’
The French trio might be eating alarming quantities of Camembert cheese, still their goregrind faeces were never so fragrant.
16. PHYLACTERY ‘…Of August’
Savage death metal with plenty of technical notes that not only enrich an impressive debut album but easily aim as well for broader aspirations.
17. HERETIC LEGION ‘The Purge’
Mixing old school Swedish death metal with a layer of modernity brings an authentic, mean feel to the quartet.
18. ITNUVETH ‘At the Top of Heaven’
The Spanish pagans raise their swords for a new dose of hefty melodies and cruel black metal about a prideful icy northern heritage.
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